1971
B.S. in Education (theatre, acting, electronic music), Illinois State University
Performance assistant to John Cage, "H.P.S.C.H.D.," University of Illinois

1973
M.F.A. (film, video, performance), School of the Art Institute of Chicago (studies w/ Philip Hitchcock, Stan Brakhage, Richard Teitelbaum, Anthony Braxton, Nam June Paik, Kenneth Anger)
adopts artist pseudonym (Diego Cortez)
moves to New York
studio in Brooklyn (w/ Jimmy DeSana)
studio assistant to Dennis Oppenheim
film screening, American Avant-Garde Film Festival, Elgin Theatre (now Joyce Theater), N.Y.C. (Jonas Mekas)

1974
studio assistant to Vito Acconci
chief video technician (w/ Dr. Kenneth Schulman, Chairman, Department of Neurosurgery), Albert Einstein Medical Center, Bronx, N.Y.
security guard (began work 3 months after Tony Shafrazi defaced Picasso's "Guernica"), MoMA, N.Y.C.
exhibition, Whitney Museum Downtown
lecturer, School of the Art Institute of Chicago
lecturer, Hunter College, N.Y.C.
lecturer, Harpur College, Binghamton, N.Y.
visits Alighiero Boetti, Roma (meets Francesco Clemente)
visits Lucio Amelio, Napoli
establishes summer residence in Capri (Casa Orlandi, 1974-81) (Villa Quattro Venti, 1982-96) (Casa La Solitaria, 1997-2004) (Villa Mafalda, Anacapri, 2005)

1975
principal actor, Aktion 50, Hermann Nitsch, Prinzendorf, Austria
performance, The Kitchen, N.Y.C. (organized by Philip Glass)
performance, Artist's Space, N.Y.C. (w/ Laurie Anderson)
film screening, Anthology Film Archives, New York
studio in New York (w/ Jane Kaplowitz Rosenblum)
lecturer, Pratt Institute, Brooklyn
lecturer, Rutgers University, N.J.
lecturer, Tyler School of Art, Philadelphia

1976
film screening, Galeria Wspolczesna, Warsaw
lecture-performance, April Meeting (5th), Belgrade
performance, Whitney Museum, N.Y.C.
lecture-performance, "After Delacroix," 10 Beach St., N.Y.C.
concept (for Martha Baer), creation of non-profit space for drawing exhibitions in Soho (The Drawing Center), N.Y.C.
recording, "Waves," (artists' sound works), w/ Laurie Anderson, Vito Acconci, etc.
co-founder, Collaborative Projects (artists' organization), N.Y.C.
lecturer, S.U.N.Y., Alfred, N.Y.
performance (w/ Kathy Acker), Kitchen, N.Y.C.
studio in Dusseldorf, Germany (w/ Katharina Sieverding & Klaus Mettig)
film screening, Musee du Cinema, Brussels
group exhibition (Collaborative Projects), John Weber Gallery, N.Y.C.
exhibition ("Cataract: Red Reflex"), Studio Trisorio, Napoli
studio in Bologna, Italy
exhibition ('SMEAR'), Konrad Fischer, Dusseldorf

1977 
organization, New Wave rock festivals: Bologna, Reggio Emilia, Rimini
studio in Munich, Germany (w/ Harald Vogl & Gioia Meller Marcovicz)
"Special People Issue," "File Goes to a Party with Diego Cortez," FILE Magazine, Toronto
lecturer, Yale University
lecturer, U. of Mass., Amherst
lecturer, U. of Kentucky
subject of song "Time to Go," Laurie Anderson; later re-released on "New Music for Electronic and Recorded Media: Women in Electronic Music," 1997; again re-released on "Open Ends: Musical Exploration in New York 1960 to 2000," MoMA, N.Y.C.
lecturer, Center for Media Studies, Buffalo
performance, exhibition (w/ Seth Tillet), Galerie E.P., East Berlin

1978
co-editor ('Punk 'Til You Puke'), FILE Magazine, Toronto
performance, Galerie Optika, Montreal
director, punk and new wave rock videos (Talking Heads, Blondie, Suicide, Nico, etc.)
co-founder (w/ Steve Mass, Anya Phillips), Mudd Club, N.Y.C.
producer, "Schleyer's Tires," James White and the Blacks, Ze Records
director, "Grützi Elvis," feature film w/ Anya Phillips, Vernon Presley; produced by Michael Zilkha, Michel Esteban (unreleased)
studio in Geneva, Switzerland (w/ Bertrand Theubet, Suisse TV Romande)
co-producer (w/ Brian Eno), soundtrack album, "Grützi Elvis," Ze Records (unreleased)
manager, various new wave rock groups (Beirut Slump, Policeband, etc.)
director (television), "Discussion with Hans Magnus Enzensberger," Collaborative Projects
lecturer, Ecole Nationale Superiore Des Arts Visuals, Brussel
exhibition, Galerie Kubinski, Stuttgart
exhibition, "My Latin Heritage," 10 Stanton St., N.Y.C.
author, "Private Elvis" (also texts by Duncan Smith), Fey Verlag, Stuttgart
author, "Cansearch Report No. 1" (unpublished), Tau-Ma (Mario Diacono), Bologna
art editor, Semiotext(e), Columbia University, N.Y.C.
studio w/ Sylvére Lotringer, N.Y.C. (until 1982)
contributor: DOMUS, Milano; KUNSTFORUM, Koln; FILE, Toronto; Art Rite, N.Y.C.

1979
interview (w/ Arturo Schwarz), BOMB Magazine (Betsy Sussler), N.Y.C.
curator, "The Batman Show" (w/ Bob Kane, Ian Rusten, Larry Rivers, etc.), Collaborative Projects (Robin Winters studio), N.Y.C.
production advisor (to Brian Eno), "No New York," Island Records, N.Y.C.
exhibition, "Grützi Elvis," 3 Mercer Street (Stefan Eins), N.Y.C.
attends regular meetings at United Graffiti Artists, Harlem; Disco Fever, Bronx (w/ Edit deAk, Keith Haring, Fab 5 Freddy, etc.)
assistant editor (w/ Sylvére Lotringer, Christian Marazzi), art director, "Autonomia-- Post-Political Politics," Semiotext(e), Columbia University, N.Y.C.

1980
studio in Roma (w/ Massimo Audiello)
festivals coordinator, A.R.C.I., Roma
agent, Jean-Michel Basquiat, Keith Haring

1981
(through present)-- see Curated Exhibitions list
meets Henry Geldzahler, remain close friends throughout '80s

1982
proposal to be manager of Madonna (declined)
performance (actor), directed by Taylor Mead (w/ Viva, Ultra Violet), Actor's Studio, N.Y.C.

1983
art advisor, Peter S. Brams collection, N.Y.C.
agent, McDermott & McGough

1984
literary agent, Duncan Smith (author)
lecturer, Yale University
exhibition, "Artistic Collaboration in the Twentieth Century" (w/ Lucio Pozzi), Hirshhorn Museum and Sculpture Garden, Washington, D.C.
contributor, DOMUS, Milano; Flash Art, Milano
panel moderator, FORUM '84, Zurich Art Fair
adviser, board of directors, Fondazione Amelio, Napoli
lecturer, Vancouver Art Gallery, Canada
lecturer, A.R.C.O., Madrid

1985
advisor, Massimo Audiello Gallery, N.Y.C.
advisor, Eli and Edye Broad Foundation, Santa Monica, CA

1986
art advisor, Gerald and Sandra Fineberg collection, Boston and Palm Beach

1987
consultant (preservation/use of Quartel de Carmen, Atarazanas), Ayuntamiento de Sevilla (Ministerio de Urbanismo), Junta de Andalucia, Spain
proposal to be director of Gagosian Gallery, 136 Wooster Street, N.Y.C. (declined)

1988
art advisor, Frederik Roos collection, Malmo, Stockholm, Sweden
purchase, Casa Bahr, San Germán, Puerto Rico

1989
consultant (authentication), Christie's, N.Y.C.
consultant (authentication), Sotheby's, N.Y.C.
restoration, adaptation (architect: Richard Gluckman), Casa Bahr, San Germán, Puerto Rico

1990
art advisor, Luisella Rossi collection, Torino, Milano
karaoke performance ("I Want Your Sex"), w/ Anita Sarko, MTV, N.Y.C.

1991
inauguration, Fundación San Germán, Casa Bahr, San Germán, Puerto Rico
(through 1993)
consultant, Phoebe Hobin, author, Jean-Michel Basquiat biography

1992
art advisor, Steven Mindich collection (Boston Phoenix), Boston
subject, documentary, Fundación San Germán, "The Nineties," P.B.S.
fundraiser, co-curator, amfAR International (w/ Chaka Khan), New York, Venezia

1993
art advisor, Michael and Joan Salke collection, Boston and Naples, FL
lecturer ("Jean-Michel Basquiat" exhibition), Des Moines Art Center, Iowa
organization (w/ Arto Lindsay), Robert Mapplethorpe Gallery dedication (w/ Lou Reed), Guggenheim Museum, N.Y.C.
organization, Tricia Brown Dance Company benefit, N.Y.C.
founding member, Estate of Jean-Michel Basquiat Authentication Committee
reading, "Letter to Collins & Milazzo" by Duncan Smith, Fez, N.Y.C.
closing (exhibition program), Fundación San Germán, San Germán, Puerto Rico

1994
art advisor, Robert and Esta Epstein collection, Boston
co-organizer (w/ David Greenberg), Gregory Corso reading, Pat Hearn Gallery, N.Y.C.

1995
author, "David Salle--Early Product Paintings," Gagosian Gallery, N.Y.C.
creative producer, art director, "O Corpo Sutil," (Arto Lindsay), For Life Records, Tokyo
art director, "Aggregates 1-26," Arto Lindsay Trio, Knitting Factory Records, N.Y.C.
fundraiser, contemporary art curator (until present), Tibet House New York
curator, advisor, Estate of Lucio Amelio and Fondazione Amelio, Napoli
consultant, "Basquiat," feature film, script treatment by Michael Holman, directed by Julian Schnabel (never viewed)

1996
founding member, Fundação Mestre Didi, Salvador, Brazil
creative producer, art director, "Mundo Civilizado" (Arto Lindsay), For Life Records, Tokyo
art director, "Sol Na Cara," Vinicius Cantuaria, For Life Records, Tokyo
author, "Andrei Roiter: Friends," Galleria Lucio Amelio, Napoli
fundraiser, board member, PrettyUglyDanceCompany (Amanda Miller), Amsterdam, Freiburg and N.Y.C.
contributing author, "Jean-Michel Basquiat," Galerie Enrico Navarra, Paris
contributing author, "Paul D. Miller: Death in Light of the Phonograph," Annina Nosei Gallery
consultant (gallery design, fundraising), Tibet House New York
advisor (permanent collection), Whitney Museum of American Art

1997
creative producer, art director, "Noon Chill" (Arto Lindsay), For Life Records, Tokyo
author, "Him" (Shirin Neshat), Annina Nosei Gallery, New York
organizer, lecture, M.F.A., Boston, "Tsuba Forest" by Philip Taaffe
art director, "Amor Brasileiro," Vinicius Cantuaria, For Life Records, Tokyo
co-advisor (w/ Mariko Ito), Andy Warhol Museum (projected), Japan

1998
art advisor, Como Group, Como & Milano
purchase, "Loa Lessons" by Tina Girouard
partner (with Kathy Hudson), Partobject Gallery, Carrboro (Chapel Hill), NC
studio, Dauphine St., New Orleans
member emeritus, Estate of Jean-Michel Basquiat Authentication Committee
advisor, art donations (Gerald S. Fineberg) to Rose Art Museum, Waltham, MA and M.F.A., Boston (including "Ragazzo Padre" by Julian Schnabel to M.F.A., Boston)
donation "Scarred for Life I," by Tracey Moffatt (to M.F.A., Boston)
donation, works by Starn Twins, St. Clair Cemin (to Rose Art Museum, Waltham, MA)
sale, Casa Bahr, San Germán, Puerto Rico

1999
art director, "Tucuma", Vinicius Cantuaria, Verve Records, N.Y.C.
advisor, Allison Salke Collection, Newton, MA
art adviser, Salke Family Trust, Newton, MA
project producer & art director, "Why Compare" (Greatest Hits) (Arto Lindsay), Bar None Records, N.Y.C.
organization (w/ Rob Sikorski), lecture, "Collier Schorr," Center for International Studies, Duke University
creative producer, art director (Matthew Barney, artist), "Prize," Arto Lindsay, Righteous Babe Records, NY
art director, "Madman of God," Sussan Deyhim, Crammed Records, Brussels
purchase, "Unfinished Dissertation" (130 photo collage works by Ukraine photographer, Boris Mikhailov), Salke Family Trust, Boston
organization (w/ Rob Sikorski), "Phyllis Galembo" Center for International Studies, Duke University

2000
donation "Scarred for Life II," by Tracey Moffatt (to M.F.A., Boston)
release, "stuzzicadenti" (www.stuzzicadenti.org), produced by Paul D. Miller a.k.a. DJ Spooky That Subliminal Kid; executive producers: Justin Leitstein & Steve Cohen; Bar/None Records, Hoboken, NJ
art director, "ecomixes," Arto Lindsay (3 vinyl & 1 cd 'remixes' release), Avex Trax, Tokyo
author, "Harry Kipper AUTOPORTRAITS" (text also by Achille Bonito Oliva), Emilio Mazzoli, Modena
organization (w/ Justin Leitstein), concert, Anti Pop Consortium, Club Europa 92, Modena
editor, "Transitions and Exits" by Ari Marcopoulos (interview by Louise Neri), Powerhouse Books, N.Y.C.
lecturer, Foundation Course, Architectural Association, London (w/ Valentin Bontjes van Beek), N.Y.C.

2001
consultant (publicity) (Brian Eno, artist) (w/ Miki Higasa), Comme des Garçons, N.Y.C.
organization (w/ Rob Sikorski), lecture, "Ari Marcopoulos," Center for International Studies, Duke University
article, "Art & Auction," "America’s Top 100 Collectors" (features Joan & Michael Salke Collection, Naples, FL)
purchase, "Cambridge Album" (100 photo collage works by Ukraine photographer, Boris Mikhailov) (later sold to Rodney and Nancy Gould, Waban, MA)
founding board member & fundraiser (w/ Keith Sonnier, Anne Livet, William Fagaly, Dave Hickey, etc.), Sac-o-Lait Foundation, Mamou, LA
sale, "Durham" (87 photo works by Wendy Ewald), John Hope Franklin Center, Duke University
closing, Partobject Gallery, Carrboro, NC
opening, Lostobject, Carrboro, NC
producer, "Cantos" by Ezra Pound, Antipop Consortium, N.Y.C.
editorial board, "An Octopus and a City" (Louise Neri, Editor), Paris
sale, "Early Works" (20 photographs by Gregory Crewdson), Emilio Mazzoli Gallery, Modena

2002
visiting curator, John Hope Franklin Center, Duke University, Durham, NC
editor, "Phoenix Collection" by Justin Leitstein
article, "Art News," "Top 100 International Collectors" (features Gerald and Sandra Fineberg Collection, Boston and Palm Beach)
lecturer, First Year Course, Architectural Association, London, N.Y.C. (w/ Valentin Bontjes van Beek), N.Y.C.
author, "Gregory Crewdson: Early Works" (text also by Achille Bonito Oliva), Emilio Mazzoli, Modena
organization (w/ Rob Sikorski), lecture, "Paul D. Miller," John Hope Franklin Center , Duke University
member, advisory board, New Orleans Museum of Art
loan of "Ana" (1964) and "Selbstemalung II" (1965) by Gunter Brus to Palm Beach Institute of Contemporary Art
art advisor, Nancy and Rodney Gould, Waban, MA
art director, creative producer, "INVOKE," Arto Lindsay, Avex Trax, Tokyo; Righteous Babe, U.S.A., Europe
reunion dinner (for Sylvére Lotringer, Christian Marazzi), w/ Robert and Nena Thurman, Nicholas Klein, Arto Lindsay, Paulinha Hiroe), Honmura-an, N.Y.C.

2003
adviser, Gerald and Sandra Fineberg, Palm Beach (architectural commission of new home, to be designed by Shigeru Ban) (not realized)
donation, photographs by Philip-Lorca diCorcia ("Vittorio"), Nick Wapplington ("The Wedding") and Nicholas Nixon ("Couple") (to New Orleans Museum of Art)
award ceremony, honoring $2-1/2 million gift to Rose Art Museum, Brandeis University, by Gerald and Sandra Fineberg, Mar-a-Lago, Palm Beach, FL
associate editor, designer, re-publishing of "Autonomia: Post-Political Politics," Semiotext(e), MIT Press
death of Jean Claire Curtis, mother
radio broadcast (tribute to Jean Claire Curtis), W.X.Y.C., Chapel Hill, NC
host (w/ Jun Koike), Armory Show cocktail, N.Y.C.
board member and host of first meeting of Sac-O-Lait Foundation (foundation for artist Keith Sonnier), Mamou, LA, N.Y.C.
adviser (w/ Pappi Corsicato), Premio Internazione, Fondazione La Columbaia di Luchino Visconti, Ischia, Italy
donation "Grande Arazzi," 1982, by Alighiero Boetti to Tibet House, N.Y.C. (to benefit Menla Foundation, Phoenicia, NY)
adviser-curator, trade of Horch Collection of Tibetan Art, Brandeis University to Tibet House, N.Y.C. (exchange for Richard Prince work, donated by artist to Tibet House)
honors and audience with the Dalai Lama (re: Horch Collection trade with Tibet House), Mark Hotel, N.Y.C.
organization (w/ Kathy Hudson), lecture, "Margarita and Viktor Tupitsyn," John Hope Franklin Center, Duke University, Durham, NC
adviser, Rose Art Museum, Brandeis University, Waltham, MA (architectural commission of new building) (Shigeru Ban, architect) (2006 completion)
best man, wedding of Johnny Dynell and Chi Chi Valenti, French Quarter Wedding Chapel, New Orleans
adviser (w/ Livet Reichard, Inc.), Tibet House benefit auction, Christie's, N.Y.C.
co-producer (w/ Michael and Joan Salke, Allison Salke, Salke Family Trust and Jun Koike), "Ho!Ho!Ho! Merry Christmas-Battle of Easel Point" (Memorial Project Okinawa) by Jun Nguyen-Hatsushiba, MACRO, Roma (premiere) and Mori Art Museum, Tokyo
organization, museum loans, Bernd and Hilla Becher, Kunsthalle Düsseldorf (retrospective); Hiroshi Sugimoto, Museo di Capodimonte, Napoli

2004
art director, creative producer (Kara Walker, artist), "Salt," Arto Lindsay, Righteous Babe, U.S. & Europe, Avex Trax, Japan
organization, art loans, "Boris Mikhailov Unfinished Dissertation," Institut de Cultura, Barcelona; Centre for Contemporary Art Ujazdowski Castle, Warsaw
art agent, Devendra Banhart, N.Y.C.
lecturer, The Architectural Association, London, N.Y.C. (with Valentin Bontjes van Beek, Alex Hurst)
organization, art loan, "Phyllis Galembo," Mead Art Museum, Amherst, MA
consultant (to Dan Cameron), "East Village" exhibition, New Museum, N.Y.C.
studio, High Falls, NY
organization, art loan (with Hidenori Ota), "Yayoi Kusama. Arbeiten aus den Jahren 1949 bis 2003," Kunstvereign Braunchweig
organization, art loan, "Boris Mikhailov Cambridge Album & Unfinished Dissertation," I.C.A., Boston
musical adviser (with Neville Wakefield), "This is a Free Concert," (Richard Prince, producer), Rennsslaerville, NY (not realized)
organization, photography benefit for Tibet House, Christie's, N.Y.C.
art adviser, Uma Thurman, N.Y.C.
member, advisory board, The Wooster Group, N.Y.C.
organization (with Kathy Hudson), 3rd year Closing Reunion, Partobject Gallery, Carolina Inn, Chapel Hill, NC
inauguration, "Terrae Motus," Reggia di Caserta, Caserta
executive producer, music video, "Melody" (Blonde Redhead, 4ad Records); director: Slater Bradley, N.Y.C. (business card designed by Slater Bradley)
sale, Maurizio Cattelan "Untitled," 2001, Christie's, New York
organization (with Rob Sikorski), lecture, "Christopher Williams," John Hope Franklin Center, Duke University, Durham, NC

2005
studio, office, Lostobject (w/ Jun Koike), Setagaya-ku, Tokyo
consultant (to Barbara London), "Anime!!," MoMA, N.Y.C.
proposal (by Jeffrey Deitch) to be 'judge/curator' on reality TV show "Artstar" (declined)
organization (w/ Valentin Bontjes von Beek), "De Lama Lamina," discussion and screening of Bahia film by Matthew Barney, introduced by Arto Lindsay, The Architectural Association, London
editor, "The Piracy of Art" by Sylvére Lotringer (introduction to Jean Baudrillard's "The Piracy of Art," Semiotext(e), N.Y.C.
co-chair (w/ Alba Clemente, Daniel Wolf), benefit exhibition for Drug Policy Alliance, Cheim & Read Gallery, N.Y.C.
organization, musical program (HPrizm/High Priest, Sean Lennon), benefit exhibition for Drug Policy Alliance, Cheim & Read Gallery, N.Y.C.
design award, exhibition catalogue: "Francesco Clemente: Tandoori Satori and Commonplace," New England Museum Association
art adviser, Michael and Nina Zilkha Collection, Houston, TX
organization, loan, "Hiroshi Sugimoto" (retrospective), Mori Art Museum, Tokyo, Hirshhorn Museum, Washington, D.C., Fort Worth Museum of Modern Art
organization, loan, "Open Book" (Robert Frank "The Americans"), International Center of Photography, N.Y.C. and other venues
fundraising, The Wooster Group (2005-06 budget), special project ("Hamlet") w/ Richard Prince
contributing author, "Out and About" by Ari Marcopoulos, Alleged Press, L.A. and Damiani Editore, Bologna
contributing author, "Maripolarama" by Maripol, Powerhouse Books, N.Y.C.
art director, "Everything," Micah Gaugh, Accidental Records, London
art director, "Silva," Vinicius Cantuária, Hannibal Records, London
organization, concert, CocoRosie, Modena

2006
editor, "k e i i c h i" by Terry Richardson
premiere of "Variations" by Janusz Podrazik (commissioned solo piano work for Yuji Takahashi), Theatre Iwato, Kagurazaka-ku, Tokyo
release, "Traumdeutung" (w/ Paolo Braga), produced by Arto Lindsay and Alexandre Kassin; Bar/None Records, Hoboken, N

Curated Exhibitions:

1. "The Batman Show," (w/ Ian Rusten, Bob Kane, etc.), Collaborative Projects, 591 Broadway, N.Y.C., 1980
2. "New York/New Wave," Institute for Art and Urban Resources, N.Y.C., 1981 (publication & video)
3. "Jean-Michel Basquiat," Galleria Emilio Mazzoli, Modena, 1981
4. "Enzo Cucchi," Galerie Art & Project, Amsterdam; Galerie Paul Maenz, Koln, 1981 (essay/catalogue)
5. "The Pressure to Paint," Marlborough Gallery, N.Y.C., 1982 (essay/catalogue)
6. "James Van Der Zee 1886-1983," Dept. of Cultural Affairs, City of New York, 1984 (essay/brochure)
7. "Terrae Motus," (co-curated with Michele Bonomo), Fondazione Amelio, Villa Campolieto, Ercolano, 1984 (interviews/catalogue)
8. "Andy Warhol's Childrens Show," Newport Art Museum, RI, 1985 (catalogue)
9. "Homage to Picasso," Tony Shafrazi Gallery, Zurich Art Fair (essay/catalogue)
10. "Philip Taaffe," Galerie Ascan Crone, Hamburg, 1986 (essay/catalogue)
11. "McDermott & McGough--Hudson River Paintings," Galleria Lucio Amelio, Napoli (essay/catalogue)
12. "Sam Doyle 1906-1985," Pat Hearn Gallery, N.Y.C., 1986 (essay/brochure)
13. "William S. Burroughs/Philip Taaffe," Pat Hearn Gallery, N.Y.C., 1987 (conversation/catalogue)
14. "Collection Peter Brams," Hamilton College, Phillips Exeter Academy, 1987-88 (essay/catalogue)
15. "William S. Burroughs," Tony Shafrazi Gallery, N.Y.C., 1987 (brochure)
16. "Francesco Clemente  Affreschi, Pinturas al Fresco" (curated by Maria de Corral)(essay by DC), Caja de Pensiones, Madrid, 1987 (catalogue)
17. "Julian Schnabel  The Recognitions Paintings," Cuartel de Carmen, Sevilla, 1988 (catalogue)
18. "Philip Taaffe," Galleria Lucio Amelio, Napoli, 1988 (catalogue)
19. "McDermott & McGough," Robert Miller Gallery, N.Y.C., 1988
20. "Gilbert & George--The 1988 Pictures," Galerie Ascan Crone, Hamburg, 1988 (essay/catalogue)
21. "Enzo Cucchi," Marlborough Gallery, N.Y.C., 1988 (essay/catalogue)
22. "The Seven Artists '89" (Annette Lemieux), INFAS, Tokyo, 1989 (essay/catalogue)
23. "Georg Herold," Galleria Lucio Amelio, Napoli, 1990 (essay/catalogue)
24. "The Peppers," Fundación San Germán, Puerto Rico, 1991
25. "Braco Dimitrijevec," Fundación San Germán, Puerto Rico, 1991
26. " Rudolf Schwarzkogler," Fundación San Germán, Puerto Rico, 1992
27. "Drawing the Line Against AIDS" (co-curator), AMFAR International, Peggy Guggenheim Collection, 45th Venice Biennale; Soho Guggenheim, N.Y.C., 1993 (essay/catalogue)
28. "The Ossuary" (co-curated with Arto Lindsay), Luhring Augustine Gallery, N.Y.C., 1994
29. "Jean-Michel Basquiat--Blue Ribbon Paintings," Newport Harbor Museum, CA, 1994 (brochure)
30. "1995 Yamantaka Donation," an exhibition to benefit Tibet House New York, Gagosian Gallery, N.Y.C., 1995
31. "1995 Yamantaka Donation," an exhibition of photographs to benefit Tibet House New York, Robert Miller Gallery, N.Y.C., 1995
32. "Jean-Michel Basquiat: Blue Ribbon Paintings," Andy Warhol Museum, Pittsburgh, 1995 (catalogue)
33. "Jean-Michel Basquiat: Blue Ribbon Paintings," Neuberger Museum, Purchase, NY, 1996 (brochure)
34. "New York Color School," Valerie's, N.Y.C., 1998
35. "dissimilarities," (inaugural group exhibition), Partobject Gallery, Carrboro, NC, 1998
36. "L'Afrique Independante," Malick Sidibe (vintage albums & prints), Samuel Fosso (vintage autoportraits), Partobject Gallery, Carrboro, NC, 1999
37. "Collier Schorr   Neue Soldaten," Partobject Gallery, Carrboro, NC, 1999
38. "Ben Vautier   Any Photo Will Do," Partobject Gallery, Carrboro, NC, 1999
39. "3 Folios," ("William Eggleston   Cadillac," "Bernard Faucon   Le Temps d'Avant," "Man Ray   Electricité"), Partobject Gallery, Carrboro, NC, 1999
40. "Phyllis Galembo   Carnaval á Jacmel," Partobject Gallery, Carrboro, NC, 1999
41. "Boris Mikhailov   Unfinished Dissertation," (with Ilya Kabakov), Partobject Gallery, Carrboro, NC, 1999
42. "Gregory Crewdson   Early Work: 1987-88,"Partobject Gallery, Carrboro, NC, 2000
43. "Catherine Opie   Works: 1991-97," Partobject Gallery, Carrboro, NC, 2000
44. "Kesang Lamdark   Wheels," (Mingmar Tsering, assistant), Tibet House N.Y.C., 2000
45. "Wendy Ewald DURHAM: collaborations with children (1990-97)," Partobject Gallery, Carrboro, NC
46. "Richard Prince   Princeville: 1999 N.C. flood disaster benefit" (Hollin Norwood, assistant), Partobject Gallery, Carrboro, NC, 2000
47. "Harry Kipper   AUTOPORTRAITS," Galleria Emilio Mazzoli, Modena, 2000 (catalogue)
48. "Brian Eno   Blisses 1-87; KOANS® 1-29," Partobject Gallery (Ethan Clauset, Giles Hendrix, assistants), Carrboro, NC, 2000
49. "Osamu Kanemura, Erika Yoshino." Partobject Gallery, Carrboro, NC, 2000
50. "Ari Marcopoulos   SUMMIT" (Giles Hendrix, assistant), Partobject Gallery, Carrboro, NC, 2000
51. "Man Ray   Four Albums," "Tammy Rae Carland   photobacks," "Amy Ray   STAG" (live webcast), Partobject Gallery, Carrboro, NC, 2000
52. "Abstract Aggregate" (exhibition) and "Saturation Station" (film premiere), Paul D. Miller aka DJ Spooky, John Hope Franklin Center, Duke University, Durham, 2001
53. "Gregory Crewdson," Galleria Emilio Mazzoli, Modena (essay/catalogue), 2002
54. "Boris Mikhailov Cambridge Album," John Hope Franklin Center, Duke University, Durham, 2003
55. "Takashi Murakami Flower Ball," (installation of sculpture), Museum of Fine Arts, Boston, 2003-04
56. "l-scape," (Eggleston, Nagashima, Ruff, Dijkstra, Tillmans, Van Meene), John Hope Franklin Center, Duke University, Durham, 2004
57. "Francesco Clemente Tandoori Satori and Commonplace," Rose Art Museum, Brandeis University, Waltham, MA (essay/catalogue), 2004
58. "Christopher Williams Works 1994-2000," John Hope Franklin Center, Duke University, Durham (brochure), 2004
59. "Devendra Banhart," Roth Horowitz, N.Y.C. (twin limited edition books), 2004
60. "A Benefit for Drug Policy Alliance" (w/ Livet Reichard, Inc.), Cheim Read Gallery, N.Y.C., 2005
61. "Devendra Banhart," Galleria Emilio Mazzoli, Modena (essay/catalogue), 2005
62. "Daido Moriyama: Shinjuku," John Hope Franklin Center, Duke University, Durham, NC (brochure), 2005
63. "Devendra Banhart," Gallery No. 12, Tokyo (limited edition CD), 2006
64. "Yayoi Kusama," Galleria Emilio Mazzoli, Modena (essay/catalogue), 2006
65. "Milarepa Restoration Project (fundraising for restoration & exhibition of 19 'Life of Milarepa' tangkas), Folkens Museum Etnografiska, Stockholm; Tibet House, N.Y.C., 2006